Name
Afternoon Session B (Clone)
Date & Time
Monday, December 13, 2021, 12:00 PM - 1:55 PM
Speakers
Thomas Edwards - Amazon Web Services
Liam Morrison - Amazon Web Serivices
Matthew Herson - Amazon AWS
Thomas Bause Mason - SMPTE
Timo Kunkel - Dolby Labs, Inc.
Patrick Griffis - dolby
Bill Redmann - InterDigital
Jesse Korosi - Picture Shop
Greg Ciaccio - IMAX
Jay Holben - Adakin Productions
Joachim Zell - Zell Consulting
Tim Kang - Quasar Science
David Morin - Academy Software Foundation
David Stump - Cinematographer
Alexander Forsythe - Academy of Motion Picture Arts & Sciences
George Joblove - Academy of Motion Picture Arts and Sciences
Liam Morrison - Amazon Web Serivices
Matthew Herson - Amazon AWS
Thomas Bause Mason - SMPTE
Timo Kunkel - Dolby Labs, Inc.
Patrick Griffis - dolby
Bill Redmann - InterDigital
Jesse Korosi - Picture Shop
Greg Ciaccio - IMAX
Jay Holben - Adakin Productions
Joachim Zell - Zell Consulting
Tim Kang - Quasar Science
David Morin - Academy Software Foundation
David Stump - Cinematographer
Alexander Forsythe - Academy of Motion Picture Arts & Sciences
George Joblove - Academy of Motion Picture Arts and Sciences
Description
American Society of Cinematographers Motion Imaging Technology Council Progress Report 2021
Curtis Clark Chair, ASC Motion Imaging Technology Council (MITC)
Jesse Korosi, Greg Ciaccio, Jay Holben, Joachim Zell, Timothy Kang, David Morin and David Stump
- As we reflect on the disruptive impact that the pandemic has inflicted upon our personal and professional lives, I marvel at the resilience of our Motion Imaging Technology Council’s determination to continue addressing the rapidly evolving digital imaging technology challenges that are confronting filmmakers. Since its formation in 2002 as the ASC Technology Committee, our agenda over the years has consistently identified the critical technology developments driving the evolution of digital production workflows. The unique nature of our mission has always been the fusion of a solid scientific and engineering knowledge base with a laser focus on how these technologies can best benefit the cinematographer’s ability to utilize them to enhance their creative vision.
Virtual Session Link